Easter
Smooth and loose inviting touch
…soft puppy-belly-wrinkle-like
not morning’s bite so crisp or cool
but Friday peaceful inside-out.
The sigh, drawn breath… pain and all
embracing life most tender there.
A gaze embalms the heart to flesh,
enmeshed triune incarnate life
…soft puppy-belly-wrinkle-like
smooth and loose inviting touch.
Photography courtesy of Pat Cegan
Tangled
I have plans to free myself of life’s in-betweens.
The places where boundaries fade and color each other.
The places where messy edges scatter thoughts and wound intent.
I can’t negotiate these gaps so I plan a get away.
I throw my hands up to free my soul.
The pieces scatter far apart yet I stand alone still tangled.
Photography contributed by “Jeb, Traffic with Elves Fauns and Fairies”
Because
reconciling day by day the broken and profane with the breath of any given season
Picture courtesy of: Words of Light Omraam Mikhael Aivanhov book
Secret Pain

Life lived slow mid thorns of fear, wounded weighted low,
Memories lost of journeys free before this path, this NO.
Gone the days of wonder’s laugh choked out by touching hurt.
Yet undeceived can eyes still see such beauty bright unthroned?
Yes! seize and strain the light until with hope you can release
the tears flow down like rain
and grow the heart beyond this place.
For there the quiet secret pain remains embraced and thus refined,
breathed within a lover’s kiss, a holy space divine.
Photography: eternitysphotography/wordpress.
Gesture

What gesture best describes your greeting? Is it a simple head nod, a hearty “hello” with brief eye contact or a phrase expressing your view of the day and the encounter “good day to you” or “don’t you love the weather?”
I’m a head nod type of person– reflecting my focus to get on with chance moments and attack the day’s true calling. This stingy gesture says something important about my reluctance to be whole.
I miss the spiritual potential of gesture.
I miss the moment of life ordained for that encounter. I am instead attached to an agenda – one that splits me from reality and the wonder of chance and change.
I don’t really believe church people do this better– though many practice it at least once a week. I am learning that the uninvested spirit of God in the ritual of a handshake and a caring hello harbors more grace than a sermon or ritualized amen.
My soul has wondered from stoned faced worship to see God in gestures meant to connect us on a journey –without an agenda but with a liturgy of embrace. My soul sees God in the moments I break free from form and risk greeting with the breath of a holy now.
Sweet spot

“bittersweet” courtesy of Phillip Schwarz
A journey to stay connected and embraced leaves you vulnerable and obvious.
You will not be strong all the time.
A journey to be present even among shame and pain leaves you broken.
You will not win.
A journey with the sun leaving for winter and then back again leaves you tired.
You will change.
A journey to find your place with strangers at the table will leave you hungry.
You will know–bittersweet.
No Place like Home
The walk of life requires some places of surety and sound footing. There needs some protection, some cover in the walk through the hurt and fear layering the everyday path.
It’s all about the shoes.
You need to make your own.

You cannot wear another’s shoes- even if they seem to fit and look more fresh. They will blister the soul… you will die with them on. Your shoes belong to your journey.
Such shoes are crafted by the pain of a specific life, in how one survives the losses, walks through harsh words and even self judgements. The fabric is rich in the blood of sacrificed wants and dreams- the binding and seams, though, sewn with Love, God-breathed and polished. This is what makes them strong enough to make the climb and last the dance.
Like Dorothy who trusted her shoes to take her home, there is a trust in the walk home, finding the ways and places of self knowing and healing– standing in your own shoes.
Women Who Run With the Wolves; “The Red Shoes” C.Estes. 1992.
The Wizard of Oz; L.Frank Baum. 1900.


